Made in collaboration with international fashion designer Roland Mouret, this “Little Fling” combines spicy cardamom and pink pepper with sensual nuances of Vanilla and Patchouli. Awarded ‘THE BEST Spicy Fragrance of 2018’ by Allure Magazine -- we promise it lives up to the hype.
IS IT A PASSING FANCY, A MOMENTARY CATCHING-OF-THE-EYE, A BRIEF ENCOUNTER, OR SOMETHING ELSE? WILL IT ENDURE, WILL IT LAST FOREVER? DOES IT REALLY MATTER? THIS IS NOW, THIS IS HOW YOU FEEL AT ONE SPECIAL MOMENT IN TIME. AND WHATEVER HAPPENS, YOU WILL MAKE AN INDELIBLE MEMORY. UNE AMOURETTE IS A LOVE AFFAIR - IT WON’T LAST FOREVER, BUT IT’S UNFORGETTABLE. THE NOTES MAKE A COMPLEX STATEMENT, FAR BEYOND THE SIMPLE PASSING FANCY. THE CITRUS OF NEROLI, SPICY AND FLORAL, BLENDS WITH THE SOFT, ELEGANT IRIS. THE SWEETNESS OF VANILLA IS TEMPERED BY AKIGALAWOOD, A SPECIAL DISTILLATION OF PATCHOULI THAT CREATES A WOODINESS. UNE AMOURETTE - A MODERN FRAGRANCE, BUT LIKE ICONIC FASHION OR A PASSIONATE LIAISON, IT’S TIMELESS. THIS IS THE SCENT OF A WOMAN A MAN WANTS TO REMEMBER, AND MAYBE WEAR HIMSELF.
It all began about eight years ago, on a cold winter evening, when Roland Mouret and his CEO Mark Langthorne came to the Etat Libre d’Orange offices, just above the boutique at 69 rue des Archives, Paris. They wanted to talk about a perfume with Etienne de Swardt, our creative director.
Roland was a fan. He wore our perfume, and in a British newspaper article entitled “Little Black Book: Roland Mouret,” he wrote about us: “A unique parfum company that produces the best exclusive scents with a twist.”
On that evening, we talked fashion and fragrance and the possibility of creating a perfume for Roland’s brand. And since we were drinking champagne, incredibly brilliant ideas emerged from the discussion. We were all very excited.
But in the days to come, when we were sober and realistic, we all realized that the time wasn’t right. Etat Libre d’Orange had just completed a collaboration for Tom of Finland, and we were about to embark on another with Tilda Swinton. Following his phenomenal success with the Galaxy dress, Roland was creating more iconic dresses that would become equally celebrated: the Moon, Pigalle, Titanium, and many others.
But we never forgot that remarkable evening and the ideas that came out of it. And it seemed minevitable that we would come back together.
We had so much in common! For both of us, collaborations were appealing challenges. Roland created collections for the Gap and Banana Republic. Etat Libre d’Orange has worked with the Tom of Finland foundation, with Tilda Swinton on Like This, with Rossy de Palma on Eau de Protection, with Mx Justin Vivian Bond on The Afternoon of a Faun. We collaborated to create Attaquer Le Soleil Marquis de Sade, and teamed up with perfume critic Chandler Burr to develop You or Someone Like You.
We both believe in a bold aesthetic, provocation, sensuality. We want our creations to enable clients to define themselves or become someone else. Roland drapes bodies — we drape skin. We use the same words: fusion, structure, magic, eroticism. We both have high profile fans. Roland talks about dressing to undress — and what better way is there to reveal the full power of a fragrance? Not to mention the fact that both our brands are creatively directed by hot, tempestuous Frenchmen.
Etat Libre d’Orange and Roland Mouret. We’re made for each other. Together, we have merged our philosophies, our attitudes and our identities, and created Une Amourette.
— Etat Libre d’Orange
Une Amourette is a no-holds-barred fragrance. It is not for everybody. It’s divisive. It will corrupt the fragrance category with its subversive positioning.
It’s a scent that makes and leaves its mark.
It is worn first at the pulse point between the thighs. As she moves, walks, crosses her legs…the warmth and friction release an intoxicating burst of fragrance catching the attention of the most primitive sense: smell.
Une Amourette transcends gender. It is neither feminine nor masculine but it connects with the innate desire to take control, to be unique…
And when two bodies come together, the alchemy of skin on skin and scent on skin is unleashed, and the full power of the fragrance is revealed.
— Roland Mouret
Once I had met Roland Mouret, I began to imagine a very sophisticated and dark perfume, black and red. Patchouli and Indole are the backbones in this woody/animal floral. The head notes are brightly opened with Neroli, while Resinoide Iris, Akigalawood and Resinoide Incense form the foundation of this story.
For twelve years, Etat Libre d’Orange has been celebrating enlightenment through an awareness of beauty, goodness, sensitivity and intelligence. Our house has welcomed humankindin all its forms, as long as they try to contribute toThe Perspective– the Renaissance concept of three dimensions in art which allowed for more realistic and profound depictions. And this perspective can be interpreted to extend beyond paintings.
Five hundred years ago, merchants confronted the two established orders : the Red (priests) and the Black (soldiers). They created a third path, cleansed of dictates, for the proliferation of the arts – and perfume. Etat Libre d’Orange honors the sons and daughters of the Renaissance by offering a trail of insight and alliance for their skin.
Think of Lucifer – from the Latin roots, lux (light) and ferre (to hold) – the shining one, light-bearing, like Venus when appearing as the morning star. Half a millennium to wear on the skin, and in its wake the majestic memory of the rose, the power of spices and the sense of something precious. The story of mankind delivered to you in a perfume.
A tribute to Marquis de Sade, the father of sadism, the man who wanted to attack the sun and ignite the world, liberate us from our preconceptions, break down the barriers which keep us from accepting our own desires. We identify with him, because we try to do the same. The pleasure and the pain of Labdanum.
To attack the sun, to drive it from the universe, to create perpetual darkness – what an outrageous proposition! But Donatien Alphonse François, Marquis de Sade, was an outrageous man. He took on many roles: writer, revolutionary, philosopher, libertine. He disdained the social norms and he demanded unrestrained freedom. He questioned every assumption about love, beauty, even violence, and he ignored the taboos. He wanted to attack the sun and ignite the world, liberate us from our preconceptions, break down the barriers which keep us from accepting our own desires. We identify with him, because we try to do the same.
Which is why Etat Libre d’Orange has chosen to celebrate a man who celebrated extremes. We have invited the Marquis de Sade to join our family of outrageous perfumes. He has accepted with pleasure . . . and maybe a little pain.
Etat Libre d’Orange and the Marquis de Sade. It’s a marriage made in heaven, or possibly in hell. Either way, it works. Together, we launch an assault on the sun.
To read Sade is to take a risk — one is suddenly forced to face one’s self, exposed. It’s a wonderful risk to take if you want to plunge yourself into the heart and the body of humanity. Because Sade liberates. He pushes us to imagine and to desire, far beyond the boundaries which saturate our perspective.
"How many times, dear God, have I not longed to be able to attack the sun, snatch it out of the sky, create a general darkness, or use that star to ignite the world."
As a creator of perfume, how could I open my perspective, imagine beyond my limitations? A very personal question. The cistus! One of my paradoxes. One of my gray areas.
I have always recoiled from the cistus, I’ve avoided it or hidden it under thick layers of vanilla and amber as a way of escaping it. This is why I have made myself confront a radical formula: the cistus, exposed, and in all its states.
My dear Marquis: here’s to your suns, to our volcanoes!
— Quentin Bisch, perfumer
From the depths of his prisons, Sade constantly reminded his contemporaries - and all men - of his injunction to go beyond compromise, to overcome conformity, and to always put freedom rst.
To be yourself, without suffering the judgment of others; to be yourself and to live as you want to live... "All human happiness is in the imagination," Sade reminds us.
Sade was the freest man who ever lived. Sade is desire and passion, strength and tenderness, provocation and sensuality. His scent is the same: in nitely volcanic.
Like his perfume, Sade cannot be banished, reduced to silence, made to disappear. He is there, always there: unforgettable. This is an eternal fragrance that endures just as his thought endures, beyond time.
— Hugues de Sade
Cistus (A genus of flowering plants in the rockrose family)
Legend has it that an apple from a tree fell on Newton’s head – and thus, the theory of universal gravitation was born. But let’s reimagine. Instead of an apple, an enormous, fully scented, fleshy Rose met with by sweet Lychee, deep Akigalawood and earthy patchouli for a new scented path, beyond light and gravity.
EXPERIMENTUM CRUCIS Open a new scented path, beyond light and gravityNewton, excuse us!
Legend has it that an apple from a tree fell on Newton’s head – and thus, the theory of universal gravitation was born. But then let’s imagine a different scene – Newton, asleep under a rose bush. And instead of an apple, a flower falls, an enormous rose, a fully scented, fleshy rose. Would he have felt it? Would he have plunged his face into the heart of the flower? And what would this mean for his theory?
This scent: A chypre! And a very precise and clear-cut formula, like something that falls on you, sudden and direct. And never leaves you. A trail of scent that holds on. Akigalawood and patchouli for a honeyed rose.
Newton, excuse us! Your Crucial Experience showed us that colors are not characteristics of objects but properties of light. We now know, thanks to you, that white light is a mixture of rays with the nuances of the rainbow. You also showed us that just because an object IS red does not mean that we see it as red. If it appears red to our visual perception, this is because, when illuminated with a white light source (for example, sunlight), its surface absorbs all the colored light rays that compose it, EXCEPT the reds.
So forgive us for taking inspiration from your Experimentum Crucis! You have been the inspiration and the source of criticism for so many. And as your theory has changed our vision of the world, we have tried to create a fragrance that will change the world.
Lychee, Apple, Rose NeoAbsolute, Jasmin Absolute, Honey, Patchouli, Musks
Based on the true story of a once beautiful man who ended up a Fat Electrician. Because while beauty fades, a good fragrance is forever. And contrary to the name, this is an ever attractive and wearable vetiver-based scent modernized by woody Vanilla Bean and balsamic Myrrh.
His beauty would have been his greatest asset. One imagines he was raised in the big air of Texas, his soft skin scrubbed by ears of wheat, his eyelashes curled by grappling with grace against a blinding sun. A Midnight Cowboy lost on city asphalt.
A fisherman without a line, he was made to be hooked by others, to believe in his fate without knowing it, to wreak havoc and forget it over time. Youth for women-of-a-certain-age, stock for late-night parties, a partner to accompany the wealthy of Palm Beach on nature walks, his splendor is consumed in the service of others. Now, a Fat Electrician in New Jersey, his talent depleted in his sexual decline. This is the curse of beauty - it doesn’t last.
Vetiver from Haiti, chestnut cream, olive leaves, myrrh, vanilla, opoponax